Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Edward Corbould
Scene from Meyerbeer s Le Prophete (mk47)

ID: 26134

Edward Corbould Scene from Meyerbeer s Le Prophete (mk47)
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Edward Corbould Scene from Meyerbeer s Le Prophete (mk47)


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Edward Corbould

(b London, 5 Dec 1815; d London, 18 Jan 1905)   Related Paintings of Edward Corbould :. | Maxi Er portrait of his wife at home | A Group of Sioux, detail | Thuringer Wald | Assumption of the Virgin dfg | Two woman |
Related Artists:
Diego de Carpio
painted Christ gathering his clothes after the Flagellation in 1798
Alexey Tyranov
(Russian,1801 - 3 August 1859) was a Russian painter. Early in his career he painted icons with his brother; he then traveled to St. Petersburg to study at the Academy, where he took lessons with Alexey Venetsianov. From 1836 he was a pupil of Karl Bryullov. Tyranov chiefly painted portraits and genre scenes; he exhibited at a number of venues in the city throughout the 1830s and 40s.
william holman hunt,o.m.,r.w.s
1827-1910 English painter. He worked as an office clerk in London from 1839 to 1843, attending drawing classes at a mechanics' institute in the evenings and taking weekly lessons from the portrait painter Henry Rogers. Holman Hunt overcame parental opposition to his choice of career in 1843, and this determined attitude and dedication to art could be seen throughout his working life. In July 1844, at the third attempt, he entered the Royal Academy Schools. His earliest exhibited works, such as Little Nell and her Grandfather (exh. British Institution, 1846; Sheffield, Graves A.G.), reveal few traces of originality, but the reading of John Ruskin's Modern Painters in 1847 was of crucial importance to Holman Hunt's artistic development. It led him to abandon the ambitious Christ and the Two Marys (Adelaide, A.G. S. Australia) in early 1848, when he realized its traditional iconography would leave his contemporaries unmoved. His next major work, the Flight of Madeline and Porphyro during the Drunkenness Attending the Revelry (1848; London, Guildhall A.G.), from John Keats's 'Eve of St Agnes', though displaced into a medieval setting, dramatized an issue dear to contemporary poets and central to Holman Hunt's art: love and youthful idealism versus loyalty to one's family. His first mature painting, it focuses on a moment of psychological crisis in a cramped and shallow picture space.






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